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Blackmagic Design URSA Mini Pro 12K with OLPF





Key Features
  • 12K Super35 HDR CMOS Sensor
  • 12K 17:9 at 60 fps | 12K 2.4:1 at 75 fps
  • OLPF for Reduced Moire and Aliasing
  • Updated IR Filtering
  • DCI 8K at 120 fps, 14-Stop Dynamic Range
  • User-Changeable PL Lens Mount
  • 4K Super16 up to 220 fps
  • 80MP/frame Blackmagic Raw
  • Dual CFast 2.0 or SD Card Recording
  • USB-C Recording to Disk/SSD

Blackmagic Design URSA Mini Pro 12K Overview

URSA Mini Pro 12K: Digital Film Revolution

Step your cine-style video recording up to 12K with the URSA Mini Pro 12K Digital Cinema Camera with OLPF from Blackmagic Design. This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new color science, and up to 14 stops of dynamic range to produce extraordinarily detailed images. The URSA Mini Pro 12K OLPF uses an optical low pass filter that minimizes unwanted image interference when shooting in virtual production environments and also offers updated IR filtering. The camera records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFast 2.0 card capture and high-speed USB-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.

 

 

Rich Film Look with Digital Definition

The URSA Mini Pro 12K's massive resolution gives you the immersive detail, wide dynamic range, and deep color of film combined with an incredible definition around objects that is perfect for chromakeying, VFX, and IMAX imaging. Oversampling from 12K down to 8K or 4K both improves color and eliminates aliasing for an ultra-smooth look.

 

Super35 12K Sensor Delivers a Cinematic View

The URSA Mini Pro 12K's new sensor has a native resolution of 12,288 x 6480 that produces a whopping 80 MP per frame. This sensor is designed with equal representations of red, green, and blue pixels, an 800 native ISO, and 14 stops of dynamic range. In-sensor scaling provides 8K and 4K rates up to 110 fps without cropping or a change in the field of view. The 12K sensor also enables you to reframe shots in post to get an 8K or 4K multicamera look using a single camera.

 

Virtual Cinema Production

 

The URSA Mini Pro 12K OLPF adds a high-performance, optical low-pass filter that is precisely matched to the 12K sensor. When shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra-sharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves color and critical image detail for new levels of image fidelity.

 

Interchangeable PL Lens Mount

  • The front of the URSA Mini Pro 12K sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers.
  • Canon EF and Nikon F mounts are available separately for shooters who have their own glass.

 

Generation 5 Color Science

The Gen 5 color science's new film curve takes advantage of the huge amounts of color data produces by the URSA Mini Pro 12K's sensor. The result is more attractive skin tones and improved color saturation for images like neon signs and car taillights.

 

Efficient 12-Bit Raw Workflow in 12K with Blackmagic Raw

A new codec enables you to use Blackmagic Raw to edit your URSA Mini Pro 12K footage on a laptop and to edit in any resolution without needing to render before your final version.

 

Lightweight, Ergonomic Form

 

  • An evenly weighted, lightweight yet robust magnesium alloy design makes the URSA Mini Pro 12K perfect for either handheld work or tripod-based shots.
  • Additional camera features include 12G-SDI input and output, a 4" fold-out display, built-in ND filters, ergonomic controls, timecode and reference input, and 48V phantom power XLR audio.
  • A digital slate function and lens metadata capture ease your URSA Mini Pro 12K workflow transition from capture to post.
  • Camera setup 7.0 includes Blackmagic Raw stills capture and broadcast lens support.

 

Two Encoding Methods

Choose between Constant Quality and Constant Bitrate encoding as best suits your need. Use constant quality Q0 or Q5 options or the new Q1 and Q3 choices to lock the quality level and enable compression levels to adapt, matching the detail levels of each scene. Turn to Constant Bit Rate 5:1, 8:1, and 12:1 options or the new 18:1 choice when you prefer optimal imaging with predictable and consistent file sizes.

 

Flexible, High-Bandwidth Recording Options

 

  • Dual built-in CFast 2.0 and UHS-II SD card slots and a SuperSpeed USB-C expansion port provide three methods for capturing 12K video.
  • A "Record Raw on 2 Cards" option enables you to record across two cards simultaneously at speeds up to an impressive 900 MB/s to two CFast 2.0 cards, or to 500 MB/s to two UHS-II SD cards.
  • The third option is capturing to NVMe SSD drives via a USB-C 3.2 Gen 2 port at rates up to 10 Gb/s.

 

Contact us for delivery in Muscat, Oman.

Imaging

Lens Mount

ARRI PL

Lens Communication

Yes

Sensor Resolution

Effective: 79.6 Megapixel (12,288 x 6480)

Image Sensor

27.03 x 14.25 mm (Super35) CMOS

Image Stabilization

No

Built-In ND Filter

Mechanical Filter Wheel with Clear, 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64) ND Filters

Capture Type

Stills & Video

 

Exposure Control

Shutter Type

Electronic Rolling Shutter

Shutter Type

Electronic Rolling Shutter

ISO Sensitivity Range

125 to 3200

Advertised Dynamic Range

14 Stops

 

Video Capture

Internal Recording Modes

Blackmagic RAW 12-Bit
12288 x 6480 up to 60.00 fps [72 to 578 Mb/s]
12288 x 5112 up to 75 fps
11520 x 6480 up to 60.00 fps
8192 x 4320 [32 to 258 Mb/s]
8192 x 3408 up to 160 fps
7680 x 6408
7680 x 4320
6144 x 3240 [18 to 145 Mb/s]
5120 x 4272 up to 160 fps
4096 x 2160 up to 240 fps [8 to 65 Mb/s]
4096 x 1704 up to 160 fps
3840 x 2160
2560 x 2136 up to 160 fps

External Recording Modes

Raw via USB
12288 x 6480
8192 x 4320
6144 x 3240
4096 x 2160

Fast-/Slow-Motion Support

Yes

Broadcast Output

NTSC/PAL

Built-In Microphone Type

Stereo

Audio Recording

2-Channel 24-Bit 48 kHz

IP Streaming

No

 

Still Image Capture

Aspect Ratio

1:1, 2:1, 4:3, 4:5, 16:9

Image File Format

Raw

 

Interface

Media/Memory Card Slot

Dual Slot: CFast (CFast 2.0)
Dual Slot: SD/SDHC/SDXC (UHS-II)

Video I/O

1x BNC (12G-SDI) Input
1x BNC (12G-SDI) Output
1x BNC (3G-SDI) Output

Audio I/O

2x XLR 3-Pin Mic/Line (+48 V Phantom Power) Output
1x 1/8" / 3.5 mm TRRS Headphone/Mic Input/Output

Power I/O

1x XLR 4-Pin Input
1x Molex 12-Pin Input/Output
1x XLR 4-Pin (12VDC) Output

Other I/O

1x USB-C (USB 3.2 / 3.1 Gen 2)
1x USB-C Data Input

Wireless

Bluetooth

Mobile App Compatible

Yes: Android & iOS

Global Positioning (GPS, GLONASS, etc.)

No

 

Monitor

Display Type

Articulating Touchscreen LCD

Display Size

4.0"

Secondary Display

Side: Status Display

 

Viewfinder

Type

Optional, Not Included

 

Focus

Focus Type

Auto and Manual Focus

Focus Mode

Automatic, Manual Focus

 

Environmental

Operating Temperature

32 to 104°F / 0 to 40°C

Storage Temperature

-4 to 113°F / -20 to 45°C

Operating Humidity

0 to 90%

 

General

Accessory Mounting Thread

4x 1/4"-20
1x ARRI/Hirth Rosette

Dimensions (W x H x D)

9.2 x 5.92 x 5.87" / 23.4 x 15.04 x 14.91 cm

Weight

5.62 lb / 2.55 kg

Packaging Info

Package Weight

8.49 lb

Box Dimensions (LxWxH)

12.3 x 10.4 x 8.3"

if you have any question please call us

968 96772828